In the Beginning: Creation Stories from Around the World by Virginia Hamilton (via Amazon) Twenty-five creation myths from such diverse cultures as China, Tahiti, Micronesia, and Australia. Illustrated with 42 dramatic, full-color paintings, this is a handsome representative collection. Hamilton’s introduction briefly defines creation myths and places them within the formal cultural structure that gives them authority. Her commitment to stay true to the simplicity of style of many creation myths results in some brilliant retellings, complete with the clarity of vision and fluidity of language synonymous with her work. While most of these retold myths are highly successful, others lack the precision of the “perfect word” associated with Hamilton. (One example is the jarring use of the modern word “aide,” as in aides to a god in a Zambian creation myth.) Although the placement of the explanatory notes at the end of each myth is less effective than if they were placed at the beginning, the book is handsomely designed. Each myth opens with a striking full-page painting, each of which is truly evocative and powerful in design and content. Text and illustrations together result in a strong, effective piece of work. A fondly remembered library book that’s now a Christmas-present-to-be for Italics.

In the Beginning: Creation Stories from Around the World
by Virginia Hamilton (via Amazon)

Twenty-five creation myths from such diverse cultures as China, Tahiti, Micronesia, and Australia. Illustrated with 42 dramatic, full-color paintings, this is a handsome representative collection. Hamilton’s introduction briefly defines creation myths and places them within the formal cultural structure that gives them authority. Her commitment to stay true to the simplicity of style of many creation myths results in some brilliant retellings, complete with the clarity of vision and fluidity of language synonymous with her work. While most of these retold myths are highly successful, others lack the precision of the “perfect word” associated with Hamilton. (One example is the jarring use of the modern word “aide,” as in aides to a god in a Zambian creation myth.) Although the placement of the explanatory notes at the end of each myth is less effective than if they were placed at the beginning, the book is handsomely designed. Each myth opens with a striking full-page painting, each of which is truly evocative and powerful in design and content. Text and illustrations together result in a strong, effective piece of work.

A fondly remembered library book that’s now a Christmas-present-to-be for Italics.

3 notes | | Jun 20, 2011
  1. graveyarddirt posted this